Scopebox 3.35/26/2023 ![]() Transcend 32 GB SD card (came with Sony AX100 but not fast enough for XAVC-S).PNY Elite Performance Class 10, 95 MB/s SD Cards: (2) 128 GB, (2) 64 GB (for XAVC-S video).(2) Manfrotto 519LV Telescoping Pan Handle.Large plate that prevents camera from tipping when various shoes are attached.15.4 lbs capacity, fixed counter-balance spring 8.8 lbs.8.8 lbs capacity, fixed counter-balance spring 3.3 lbs.This newer model is slightly longer/taller than the 190XPROB and doesn’t fit inside a carry-on.I love how this fits inside one of my old Samsonite carry on suitcases.Can also be used as an additional HDMI input for live streams/scopes.Provides additional composite and component input for capturing from older VHS tapes, etc.Blackmagic Intensity Pro Shuttle USB 3.0.Thunderbolt endpoint, cannot daisy chain (maybe some technical bandwidth limitation).Also used to check cameras for proper exposure, using ScopeBox.Blackmagic UltraStudio Mini Recorder Thunderbolt.After about eigh years this has developed some noise floor problems, looking to replace.JuicedLink has since gone out of business, possible reasons.To feed mic/line level XLR inputs into the camera directly as a 3.5” mic stereo input.No built-in histogram viewer (feed HDMI to your own scopes, see below).In 4K mode the camera doesn’t zoom in as far as in 1080 HD mode-it’s using the same sensor.Unable to pipe 4K via HDMI while recording to SD card, so have to switch to HD when doing live stream + recording.12x optical zoom, 18x “Clear Image Zoom” at 4K (but cannot do face detection then).Large 1” sensor, fantastic quality color with great low light tolerance.Still used for livestreaming and/or a zoomed out B cam shot, because the quality loss is less noticeable.15’ Firewire cable to record to disk rather than MiniDV tapes.Really great for well lit venues, 20x optical zoom.16 GB 1333 MHz DDR3 RAM (upgraded after).Two Thunderbolt 2 ports, four USB 2.0 ports.This machine is ideal for ProRes multicam editing and AE renders, but is far slower than the 2012 MBP for final H264 renders.(2) USB 3.0, (1) Thunderbolt, (1) SD Card, Headphone Out.“Everything else” laptop, for checking YouTube streams, notes, etc.One Thunderbolt 2 port, 2 USB 3.0 ports.NVIDIA GeForce GT 650M 1024 MB - realized from the first MBP that GPU memory is well worth the investment.Only limitation of this guy is the 1 thunderbolt port This is the main workhorse and road warrior.Firewire ports starting acting buggy when recording (overheating issue), SSD compatibility was also limited To clarify the Firewire portion: the AJA IO connects to the computer through the Firewire interface, but is not treated as a Firewire video source as a camera or deck would be. It's strictly just a data interface in this case. Sony D50 x4 -> Grass 110 -> analog in to DVCPRO 50 (converting analog to SDI) -> SDI in to IO LD -> ScopeBox capture from SDI That said, this is what I gather is the signal flow you are using: The cameras are obviously genlocked with the switcher, but is the DVCPRO deck also genlocked? That could cause a possible issue with the SDI output. The SDI (Serial Digital Interface) is a family of digital video interfaces (SDI, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI), that was first standardized in 1989 by SMPTE (The Society of Motion Picture and Television Engineers). Are you using SDI-embedded audio or AES audio?ġ. The standard has been widely adopted by the broadcast industry, and is used for transmission of uncompressed, unencrypted. Capture from tape from the DVCPRO deck over SDI into Final CutĢ. Capture from tape from the DVCPRO deck over SDI into ScopeBoxģ. Capture a test signal or color background from the switcher through the deck into FCĤ. In Fawn Creek, there are 3 comfortable months with high temperatures in the range of 70-85°. Capture a test signal or color background from the switcher through the deck into SBĥ. Keep working through the rest of the equipment until you've found the problem August is the hottest month for Fawn Creek with an average high temperature of 91. You also MUST use a secondary drive (not the system drive with the OS) for capture. Setting Up ScopeBox I this Insight, watch to learn how I set up Scopebox for Color Correction. As has been mentioned above, check that the drive is formatted correctly (Mac OS Extended with NO journaling). We’ll go on a tour from my initial set-up, plus several different configurations to my current configuration which I’m real happy with. 1 on my MacBook Pro and needed a mobile SDI analser, pairing this with Scopebox works beautifully.
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